Lyn Gardner: We're all responsible for theatre's future – but are we all sharing that burden?

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Lyn Gardner’s reasons to be cheerful

Could a new online community kick-start a revival for theatre debate?

Regional theatres are evolving with – and for – their communities

Writers' Guild and Paul McCartney condemn government's ‘damaging’ AI proposals

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National Theatre Wales closes in current form a year after losing ACW funding

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There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

National insurance increase is as bad as a £100m cut to theatre sector

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Lyn Gardner’s reasons to be cheerful

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Did Tammy Faye lose its sense of proportion on the way to Broadway?

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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National insurance increase is as bad as a £100m cut to theatre sector

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Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

National insurance increase is as bad as a £100m cut to theatre sector

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Writers' Guild and Paul McCartney condemn government's ‘damaging’ AI proposals

The Writers’ Guild of Great Britain has condemned the government’s favoured approach to artificial intelligence and artists’ intellectual property, warning it will have a "damaging impact" on writers’ incomes

Writers' Guild and Paul McCartney condemn government's ‘damaging’ AI proposals

The Writers’ Guild of Great Britain has condemned the government’s favoured approach to artificial intelligence and artists’ intellectual property, warning it will have a "damaging impact" on writers’ incomes

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We're all responsible for theatre's future – but are we all sharing that burden?

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