Verbatim theatre has the power to free words from the restrictions of real life
Ron Bottitta and Patrick Keleher in Fatherland at the Fountain Theatre production and Eric Berryman and Elizabeth Marvel in The Ford/Hill Project at Woolly Mammoth. Photos: Cameron Whitman/Maria Baranova
Howard Sherman discusses verbatim theatre and its ability to be surprisingly flexible in bringing real events on to the stage with varying styles imposed
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