US radio station’s refusal to broadcast certain Met operas is disturbing

SUBSCRIBE

Reminiscing over the theatre we saw in our youth is more than just nostalgia

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Will audiences dine out on Swept Away’s conspicuous consumption?

Four nations, 20 shows: what did I learn about the state of UK theatre today?

Long Reads by Alistair Smith

Reminiscing over the theatre we saw in our youth is more than just nostalgia

Opinion by Howard Sherman

Hotel guest book reveals historic details of Mayflower Theatre's past

News by Katie Chambers

ATG Entertainment to build ‘world-class’ theatre in Vienna

News by Georgia Luckhurst

One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Lyn Gardner’s reasons to be cheerful

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Did Tammy Faye lose its sense of proportion on the way to Broadway?

Recommended for you

Reminiscing over the theatre we saw in our youth is more than just nostalgia

Opinion by Howard Sherman

Hotel guest book reveals historic details of Mayflower Theatre's past

News by Katie Chambers

ATG Entertainment to build ‘world-class’ theatre in Vienna

News by Georgia Luckhurst

Howard Sherman is a New York based arts administrator, writer and advocate. He is director of the Baruch Performing Arts Center, founder of the Arts Integrity Initiative and author of Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century. Howard has been The Stage’s US columnist since 2012. Read his latest column every other Friday.

More from this author

Reminiscing over the theatre we saw in our youth is more than just nostalgia

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Will audiences dine out on Swept Away’s conspicuous consumption?

Opinion

Latest
Most Read

One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

Lyn Gardner’s reasons to be cheerful

There’s a theatre sinkhole in the north and the sector’s turning its back on it

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

One more reason to be cheerful this year

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

by John Byrne

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

by John Byrne

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

by John Byrne

Four nations, 20 shows: what did I learn about the state of UK theatre today?

After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today

Summerhall: We are now in a position to pay artists from this summer's EdFringe

The Scottish arts centre has announced that it is ‘now in a position’ to pay out money owed to artists that performed at the venue during this year’s Edinburgh Festival Fringe

Jobs

Stage Management Team

Salary: Competitive

US radio station’s initial refusal to broadcast certain Met operas is disturbing

Support The Stage by registering or subscribing

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital