Stephanie Street: Undoing theatre’s bias against women will take serious commitment

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The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

I’m not just sharing a stage with fellow LAMDA alumni – we also share values

Empathy and a desire to connect are an actor’s greatest strengths

Show reports 2024: the year’s funniest onstage (and offstage) mishaps

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Mark Rylance backs launch of new dance venue in Bristol

News by Katie Chambers

One more reason to be cheerful this year

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Quotes of the week December 19: Alan Cumming, Sharon D Clarke, Adam Lambert and more

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One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

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Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

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Wicked is casting a spell over film audiences – what's the secret to its screen success?

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I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Did Tammy Faye lose its sense of proportion on the way to Broadway?

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Stephanie Street

Stephanie Street is an actor, writer and co-founder of Act for Change

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The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

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Four nations, 20 shows: what did I learn about the state of UK theatre today?

After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today

Summerhall: We are now in a position to pay artists from this summer's EdFringe

The Scottish arts centre has announced that it is ‘now in a position’ to pay out money owed to artists that performed at the venue during this year’s Edinburgh Festival Fringe

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Undoing theatre’s bias against women will take serious commitment

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