Towards a greater artistic accessibility?

How a one-star review makes you pay attention

Critical updates: the fate of Sunday critics, and coming under friendly and unfriendly fire

Marmite theatre: taking a critical stand

My top international theatre to catch around the UK this year

Ignore the doomsayers – the West End is on the up

Two new Broadway comedies warn of the limitations of language

It’s time more backstage practitioners got their moment in the spotlight

Light entertainment used to be a thriving career pathway for artists – it deserves to be again

Making theatre with young people is so much more than child’s play

Bad musical theatre shows at EdFringe risk damaging the art form

Bristol Old Vic Theatre School course closures signal wider crisis in drama training

Everyone is welcome at the theatre, unless...

Ignore the doomsayers – the West End is on the up

In praise of so-called ‘supporting actors’

There’s a theatre sinkhole in the north and the sector’s turning its back on it

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Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read Richard's latest column for The Stage every Thursday.

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Opinion

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My top international theatre to catch around the UK this year

Ignore the doomsayers – the West End is on the up

Two new Broadway comedies warn of the limitations of language

It’s time more backstage practitioners got their moment in the spotlight

Light entertainment used to be a thriving career pathway for artists – it deserves to be again

Making theatre with young people is so much more than child’s play

Bristol Old Vic Theatre School course closures signal wider crisis in drama training

Ignore the doomsayers – the West End is on the up

In praise of so-called ‘supporting actors’

Two new Broadway comedies warn of the limitations of language

My top international theatre to catch around the UK this year

Making theatre with young people is so much more than child’s play

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Playwright Anne Washburn: ‘I pray God my Trump play won’t be relevant in three years’

How a one-star review makes you pay attention

Critical updates: the fate of Sunday critics, and coming under friendly and unfriendly fire

Marmite theatre: taking a critical stand

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Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

Playwright Anne Washburn: ‘I pray God my Trump play won’t be relevant in three years’

How a one-star review makes you pay attention

Critical updates: the fate of Sunday critics, and coming under friendly and unfriendly fire

Marmite theatre: taking a critical stand