Top 5 theatre shows to see this week (September 16-23)

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Natasha Tripney

International Editor

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Why actors are swapping the stage for the streets in Serbia

Is Berlin being extinguished as a beacon for arts and culture?

Łukasz Twarkowski: ‘I really hate the dictatorship of the theatre space, I’m all about freedom’

Titanique is pure theatrical silliness – let’s have more of its ilk in the West End

Better times lie ahead for Scottish theatre

Scotland’s arts funding revolution exposes Labour’s shortcomings

Why actors are swapping the stage for the streets in Serbia

A spoonful of bravery makes movie adaptations fly

A visit to the past is a reminder that theatre's future depends on its grassroots

Star casting doesn’t guarantee success. So what happens when it doesn’t work?

What could theatre learn from British Airways' controversial changes to its loyalty programme?

Ignore the doomsayers – the West End is on the up

Is this the year the National Theatre of Scotland turns its fortunes around?

Drama training is in crisis. Government must take action now

Summerhall saga exposes the fragility of the Edinburgh Fringe model – how can it be made stronger?

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

More from this author

Why actors are swapping the stage for the streets in Serbia

Is Berlin being extinguished as a beacon for arts and culture?

Łukasz Twarkowski: ‘I really hate the dictatorship of the theatre space, I’m all about freedom’

Opinion

Latest
Most Read

Titanique is pure theatrical silliness – let’s have more of its ilk in the West End

Better times lie ahead for Scottish theatre

Scotland’s arts funding revolution exposes Labour’s shortcomings

Why actors are swapping the stage for the streets in Serbia

A spoonful of bravery makes movie adaptations fly

A visit to the past is a reminder that theatre's future depends on its grassroots

Star casting doesn’t guarantee success. So what happens when it doesn’t work?

A spoonful of bravery makes movie adaptations fly

Is this the year the National Theatre of Scotland turns its fortunes around?

What could theatre learn from British Airways' controversial changes to its loyalty programme?

Summerhall saga exposes the fragility of the Edinburgh Fringe model – how can it be made stronger?

Drama training is in crisis. Government must take action now

Advice

Emily LeQuesne: 'Without the arts, what are we for?'

by John Byrne

Michael Ahomka-Lindsay: 'If you feel lost, you’re probably in the right place – on your own path'

by John Byrne

Kate Perry: 'I felt no pressure because I had no intention of becoming an actor'

by John Byrne

Stephanie Morgan (Upsall): 'Learn to love yourself as much as your craft'

by John Byrne

Titanique is pure theatrical silliness – let’s have more of its ilk in the West End

Putting a famous title on stage and simply adding songs is tired and cynical. Producers could do worse than look to a show such as Titanique to freshen up the West End

Edinburgh Festival Fringe Society secures £1.25m towards new headquarters

The Edinburgh Festival Fringe Society has received an extra £1.25 million to fund the development of its controversial new headquarters

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More about this organisation

Major theatres put on notice by ACE over diversity as annual report reveals 'disappointing picture'

News by Georgia Snow

Campaigners urge Arts Council to embed climate emergency in its 10-year strategy

News by Georgia Snow

Climate change: can theatre help tackle the greatest threat of all?

Features by Tom Wicker

Playing Tartuffe Polish without an explanation is no joke – your views, May 2

Your views by The Stage

Advice

Emily LeQuesne: 'Without the arts, what are we for?'

by John Byrne

Michael Ahomka-Lindsay: 'If you feel lost, you’re probably in the right place – on your own path'

by John Byrne

Kate Perry: 'I felt no pressure because I had no intention of becoming an actor'

by John Byrne

Stephanie Morgan (Upsall): 'Learn to love yourself as much as your craft'

by John Byrne

Rufus Wainwright: Audiences coming to Opening Night felt ‘duped’

Sixty-seat pub theatre launches in Cardiff as 'home' to fringe artists

Inside No. 9 – Stage/Fright review

Shucked and Brigadoon feature in Drew McOnie's first season at Open Air Theatre

Star casting doesn’t guarantee success. So what happens when it doesn’t work?

Organisations 'devastated' by Creative Scotland funding rejection

My favourite play: Marianne Elliott

Scottish arts funding doubles to more than £200m in 'record' funding round

David Byrne: I’m determined to fight censorship risk in theatre

My favourite play: Daniel Evans

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Top 5 theatre shows to see this week (September 16-23)

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