Top 5 theatre shows to see this week (July 15-21)

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Europe and beyond in 2024: international year in review

British plays are a huge cultural export. Why don’t we talk about that more?

‘Queer, wordy and big-hearted’: how Virginia Gay gave Cyrano a new profile

Opinion

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Richard Jordan’s Big Christmas Theatre Quiz 2024

One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

NDAs are overused. What can theatre do about it?

Regional theatres are evolving with – and for – their communities

With Bluesky on the horizon, is the sun going down on ‘Theatre Twitter’?

Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

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Europe and beyond in 2024: international year in review

British plays are a huge cultural export. Why don’t we talk about that more?

‘Queer, wordy and big-hearted’: how Virginia Gay gave Cyrano a new profile

Richard Jordan’s Big Christmas Theatre Quiz 2024

One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Richard Jordan’s Big Christmas Theatre Quiz 2024

Misleading marketing must go now... and you can quote me on that

Making choices about representation is the privilege of big organisations

Here's what theatre can learn from The Traitors

Original musicals such as Six and Why Am I So Single? remain a hard sell in the West End

What does Kwame Kwei-Armah's departure tell us about arts leadership today?

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

by John Byrne

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

by John Byrne

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

by John Byrne

Four nations, 20 shows: what did I learn about the state of UK theatre today?

After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today