Lyn Gardner: To end bad behaviour in theatre, its regulatory body must be robust

SUBSCRIBE

Broadway & International

Training & Drama Schools

Backstage & Technical

Opera

Dance

West End

Musical Theatre

Pantomime

Edinburgh Fringe

Obituaries & Archive

NPO 2023-26

Awards

Jobs & Auditions

Hot Topics

Acting & Performance

Shakespeare

Lyn Gardner

More from this Author

Fallow years: could theatre learn something from Glastonbury?

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Patching over problems is no longer enough. Theatre needs radical change

Royal Shakespeare Company chair to lead Creative Industries Council

Appointments by Georgia Luckhurst

Orange Tree theatre vows to be 'venue for everyone' with accessibility revamp

News by Georgia Luckhurst

ENO boss: We won't cut London jobs in move to Manchester

News by Katie Chambers

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Opinion by Howard Sherman

Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Recommended for you

Royal Shakespeare Company chair to lead Creative Industries Council

Appointments by Georgia Luckhurst

Orange Tree theatre vows to be 'venue for everyone' with accessibility revamp

News by Georgia Luckhurst

ENO boss: We won't cut London jobs in move to Manchester

News by Katie Chambers

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Opinion by Howard Sherman

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Fallow years: could theatre learn something from Glastonbury?

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Patching over problems is no longer enough. Theatre needs radical change

Opinion

Latest
Most Read

Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Fallow years: could theatre learn something from Glastonbury?

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

If the National Theatre can’t afford primary schools tours, who can?

Alternates make roles their own – and should be saluted for it

We make putting on panto look easy – oh no it isn’t

Creative education is at a critical juncture. How can we play our part?

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

by John Byrne

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

by John Byrne

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

by John Byrne

EdFringe review: annual income continues to be outstripped by expenditure

The Edinburgh Festival Fringe Society’s income was £5.53 million for the past 12 months, compared with expenditure of £5.76 million, meaning it has operated at a loss since 2021

EdFringe review: annual income continues to be outstripped by expenditure

The Edinburgh Festival Fringe Society’s income was £5.53 million for the past 12 months, compared with expenditure of £5.76 million, meaning it has operated at a loss since 2021

Jobs

Lighting & Video Manager

City: Leeds Salary: £28,112 per...

To end bad behaviour in theatre, its regulatory body must be robust – and truly independent

Support The Stage by registering or subscribing

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital