Lyn Gardner: Theatre will be judged not just on what it speaks out about, but on what it remains silent

SUBSCRIBE

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

It is down to critics, as much as the industry, to support risk-taking theatre

Theatre under pressure to include 'diversity standards' for hair and make-up in contracts

News by Katie Chambers

Black-led theatre company Eclipse closes

News by Matthew Hemley

My Fair Lady and P.D. James adaptation join Mill at Sonning season

Production News by Georgia Luckhurst

Six producer: It’s never been more important to platform female voices on stage

News by Katie Chambers

Finding new audiences for opera? It may well require new types of opera

Should you change agent? Or is it just the slow market? Here is my take

Labour's Budget risks breaking the party's promises to theatre's 'working people'

Times are tough for touring theatre – this is Arts Council England’s answer

Budget was a crushing disappointment for theatre sector

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Does theatre’s artistic leadership model need to evolve?

Finally – a decent theatre trailer

It is down to critics, as much as the industry, to support risk-taking theatre

Everyone is welcome at the theatre, unless...

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Beware trying to adapt a masterpiece for the stage

Recommended for you

Theatre under pressure to include 'diversity standards' for hair and make-up in contracts

News by Katie Chambers

Black-led theatre company Eclipse closes

News by Matthew Hemley

My Fair Lady and P.D. James adaptation join Mill at Sonning season

Production News by Georgia Luckhurst

Six producer: It’s never been more important to platform female voices on stage

News by Katie Chambers

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

It is down to critics, as much as the industry, to support risk-taking theatre

Opinion

Latest
Most Read

Finding new audiences for opera? It may well require new types of opera

Should you change agent? Or is it just the slow market? Here is my take

Labour's Budget risks breaking the party's promises to theatre's 'working people'

Times are tough for touring theatre – this is Arts Council England’s answer

Budget was a crushing disappointment for theatre sector

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Everyone is welcome at the theatre, unless...

Funded venues are struggling. It’s why fringe theatre is so important

Times are tough for touring theatre – this is Arts Council England’s answer

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Should you change agent? Or is it just the slow market? Here is my take

Producers face immense personal and professional pressures – here’s how we can help

Advice

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

by John Byrne

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

by John Byrne

Lucy Avison: 'I was on a work placement in Scotland at 21 and never really left'

by John Byrne

Matt Wilde: 'Be brave, be bold'

by John Byrne

Lily Collins: My stage debut in Barcelona came at the right moment

The Barcelona star has brushed off parallels between her stage debut and her turn in Netflix’s Emily in Paris, regarding her theatre performance as simply ‘the right moment and the right material’ to fulfil a theatrical ambition

Lily Collins: My stage debut in Barcelona came at the right moment

The Barcelona star has brushed off parallels between her stage debut and her turn in Netflix’s Emily in Paris, regarding her theatre performance as simply ‘the right moment and the right material’ to fulfil a theatrical ambition

Jobs

Technical Manager 1.0 FTE

City: London Salary: £38,071 - £...

Theatre will be judged not just on what it speaks out about, but on when it remains silent

Support The Stage by registering or subscribing

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital