The loss of theatre businesses such as the Corner Shop in London should worry us all

Women Who Blow on Knots review

Reviews by Holly O'MahonyArcola Theatre, London

Timberlake Wertenbaker premiere joins Jermyn Street 2025 season

‘State-of-the-art’ 620-seat theatre to open in west London next year

Finding new audiences for opera? It may well require new types of opera

Should you change agent? Or is it just the slow market? Here is my take

Labour's Budget risks breaking the party's promises to theatre's 'working people'

Times are tough for touring theatre – this is Arts Council England’s answer

Budget was a crushing disappointment for theatre sector

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Does theatre’s artistic leadership model need to evolve?

Finally – a decent theatre trailer

It is down to critics, as much as the industry, to support risk-taking theatre

Everyone is welcome at the theatre, unless...

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Beware trying to adapt a masterpiece for the stage

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‘State-of-the-art’ 620-seat theatre to open in west London next year

News by Georgia Luckhurst

News feature: Sensory Cinders is a West End first for inclusivity

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Opinion

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Finding new audiences for opera? It may well require new types of opera

Should you change agent? Or is it just the slow market? Here is my take

Labour's Budget risks breaking the party's promises to theatre's 'working people'

Times are tough for touring theatre – this is Arts Council England’s answer

Budget was a crushing disappointment for theatre sector

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Everyone is welcome at the theatre, unless...

Funded venues are struggling. It’s why fringe theatre is so important

Times are tough for touring theatre – this is Arts Council England’s answer

The Conservative Party doesn’t have a problem with Black female leadership, so why does theatre?

Should you change agent? Or is it just the slow market? Here is my take

Producers face immense personal and professional pressures – here’s how we can help

Advice

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

Lucy Avison: 'I was on a work placement in Scotland at 21 and never really left'

Matt Wilde: 'Be brave, be bold'

Technical Manager 1.0 FTE

Miss Saigon to return for new 2025 tour

Jobs

City: London Salary: £38,071 - £...

Redcoat Auditions

City: Various Salary: Competitive

Marketing Manager

City: Blackpool Salary: £30,000 per...

Head of Stage

City: London Salary: SOLT/BECTU ...

Head of Musical Theatre (Lea...

City: Dubai Salary: 20,000 AED ...

Sound No 1

City: London Salary: Salary base...

Entertainer at Five Lakes

City: Maldon, Essex Salary: Competitive

Costume Cutter

City: Leeds Salary: £25,685 per...

Technical Director

City: Chichester Salary: £60-£70,000...

Rigging Technician

London £32,188 per annum

Automation Operator

Overseas Competitive inc. fl...

Deputy Stage Manager - Matil...

London Competitive

Trustee - Get Into Theatre

London Volunteer

Construction Workshop Manager

London £57,832.32

Senior Technician Walt Disne...

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MIKE in EWAN MACCOLL: MANCHE...

Castings

Dundee Paid

DAVEY in EWAN MACCOLL: MANCH...

Dundee Paid

Female souls singer dancer e...

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Male soul singer entertainer...

Based in Ilkeston Derbyshire DE7 touring UK Paid

The Happy Prince in The Happ...

London & Watford Paid

The Swallow in The Happy Prince

London & Watford Paid

Narrator in The Happy Prince

London & Watford Paid

Co-Host (Leads on music) in ...

UK Wide. Preferred base in Midlands Paid

Host (Leads on presenting) i...

UK Wide. Preferred base in Midlands Paid

Mardi Gras Performer in Alto...

Alton Stoke-on-Trent, Staffordshire Paid

Fairy Godmother/ Prince Char...

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Heaton Park, Manchester Paid

Six producer: It’s never been more important to platform female voices on stage

“Compelling fictionalisation of recent history”

Women Who Blow on Knots review

Reviews by Holly O'MahonyArcola Theatre, London

Timberlake Wertenbaker premiere joins Jermyn Street 2025 season

‘State-of-the-art’ 620-seat theatre to open in west London next year

Advice

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

Lucy Avison: 'I was on a work placement in Scotland at 21 and never really left'

Matt Wilde: 'Be brave, be bold'

Recommended for you

Six producer: It’s never been more important to platform female voices on stage

“Compelling fictionalisation of recent history”

Women Who Blow on Knots review

Reviews by Holly O'MahonyArcola Theatre, London

Timberlake Wertenbaker premiere joins Jermyn Street 2025 season

‘State-of-the-art’ 620-seat theatre to open in west London next year