The internet is serious business: what happens when the online world notices theatre?
Richard Gadd in Baby Reindeer at Summerhall at the Edinburgh Festival Fringe, (2019). Photo: Andrew Perry
In an age of internet sleuthing and social-media trolls, the danger of an ugly online fallout to an announcement or a show is higher than ever. Is theatre under-prepared?, asks Andrzej Lukowski
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or subscribe today and get unlimited access to thestage.co.uk.