Rob Halliday: The 40-year success of Cats shows theatre is a good financial investment for government

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Keeping theatre on the road – here’s to the touring circuit’s unsung heroes

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Show reports 2024: the year’s funniest onstage (and offstage) mishaps

Features by Georgia Luckhurst

Puppet studio vandalism inflicts 'irreparable' damage

News by Georgia Luckhurst

Reminiscing over the theatre we saw in our youth is more than just nostalgia

Opinion by Howard Sherman

Road Show review

Reviews by Tom WickerUpstairs at the Gatehouse, London

One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Lyn Gardner’s reasons to be cheerful

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

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Rob Halliday

Rob Halliday is a lighting designer and programmer

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Keeping theatre on the road – here’s to the touring circuit’s unsung heroes

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

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One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

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Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

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Lyn Gardner’s reasons to be cheerful

There’s a theatre sinkhole in the north and the sector’s turning its back on it

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One more reason to be cheerful this year

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Four nations, 20 shows: what did I learn about the state of UK theatre today?

After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today

Summerhall: We are now in a position to pay artists from this summer's EdFringe

The Scottish arts centre has announced that it is ‘now in a position’ to pay out money owed to artists that performed at the venue during this year’s Edinburgh Festival Fringe

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The 40-year success of Cats shows theatre is a good financial investment for government

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