Susie McKenna: All hail the pantomime – our theatres would be lost without it

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Susie McKenna: All hail the pantomime – our theatres would be lost without it

King's Head partners with Little Angel on family panto

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Solo shows are often bolder, brainier and break more ground than stage extravaganzas

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Lessons must be learned from the Royal Exchange cancellation

Is having an iron grip on the works of dead artists stifling creativity?

The National Theatre must continue to find new ways to evolve once Rufus Norris departs

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Theatre will be judged not just on what it speaks out about, but on when it remains silent

Original musicals such as Six and Why Am I So Single? remain a hard sell in the West End

Star names can make ‘difficult’ plays like Waiting for Godot easier to sell – that’s no bad thing

Will changing audience demographics mean shows like Hello, Dolly! and Fiddler are not revived in future?

Is the subsidised sector to West End transfer in danger of becoming a rarity?

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Susie McKenna: All hail the pantomime – our theatres would be lost without it

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Bridging the gap: today’s joker could well be tomorrow’s theatre megastar

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Is having an iron grip on the works of dead artists stifling creativity?

The National Theatre must continue to find new ways to evolve once Rufus Norris departs

Theatre will be judged not just on what it speaks out about, but on when it remains silent

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Lessons must be learned from the Royal Exchange cancellation

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A single play has the power to alter your world view. This one did it for me

Solo shows are often bolder, brainier and break more ground than stage extravaganzas

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Susie McKenna: All hail the pantomime – our theatres would be lost without it

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