Suba Das' departure signals theatre's failure to invest in diverse leadership

Indhu Rubasingham: I was told to start an Asian theatre company to find success

Quotes of the week November 20: Matthew Bourne, Kristin Chenoweth, Akram Khan and more

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

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Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

Amanda Parker is a cultural business strategist and consultant, working across theatre, TV, film and publishing. She also founded Inc Arts UK and campaigns for greater inclusion in the arts sector workplace

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Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

US shows are resonating very differently after Trump’s election win

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

'Musicals don't get written, they get rewritten' – is the old adage still true today?

Call me Scrooge, but this over-told tale is so rarely done well

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Deputy Technical Manager (So...

English National Opera unveils ‘electrifying’ plans for relocation to Manchester

ENO has announced the first wave of partnership plans and programming set to re-establish the company in Manchester by 2029

English National Opera unveils ‘electrifying’ plans for relocation to Manchester

ENO has announced the first wave of partnership plans and programming set to re-establish the company in Manchester by 2029

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Anti-racism plan for theatre updated to address 'fractured' society

Indhu Rubasingham: I was told to start an Asian theatre company to find success

Quotes of the week November 20: Matthew Bourne, Kristin Chenoweth, Akram Khan and more

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

$Anti-racism plan for theatre updated to address 'fractured' society$

Anti-racism plan for theatre updated to address 'fractured' society

Indhu Rubasingham: I was told to start an Asian theatre company to find success

Quotes of the week November 20: Matthew Bourne, Kristin Chenoweth, Akram Khan and more

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it