Send in the clowns: why clowning deserves more recognition
Clowning around: Clarke Peters as the Fool in King Lear at the Almeida, master of the form Ken Dodd and Viggo Venn, winner of ITV's Britain’s Got Talent. Photos: Johan Persson/Shutterstock
Richard Jordan looks back at the history and legacy of our most beloved clowns, and argues that the art form holds an important place in our culture
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or subscribe today and get unlimited access to thestage.co.uk.