Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Grade II-listed Salford theatre up for auction as restoration campaign under way

Brian Croft

Dianne Kelly

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

US shows are resonating very differently after Trump’s election win

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Funded venues are struggling. It’s why fringe theatre is so important

Call me Scrooge, but this over-told tale is so rarely done well

Is ACE finally addressing the chronic precarity of theatre's freelancers?

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Ian Charleson’s Hamlet reviewed – 50 years ago in The Stage

Grade II-listed Salford theatre up for auction as restoration campaign under way

Brian Croft

Dianne Kelly

Rob Halliday

Rob Halliday is a lighting designer and programmer

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Brian Croft

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

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Opinion

Latest
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If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

US shows are resonating very differently after Trump’s election win

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

US shows are resonating very differently after Trump’s election win

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

'Musicals don't get written, they get rewritten' – is the old adage still true today?

Call me Scrooge, but this over-told tale is so rarely done well

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Deputy Technical Manager (So...

If the National Theatre can’t afford primary schools tours, who can?

Anti-racism plan for theatre updated to address 'fractured' society

A revamped anti-racism programme is aiming to end performative gestures around diversity in favour of "longer-term and sustained" attitudes to equal opportunity in theatre

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Ian Charleson’s Hamlet reviewed – 50 years ago in The Stage

Grade II-listed Salford theatre up for auction as restoration campaign under way

Brian Croft

Dianne Kelly

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

Ian Charleson’s Hamlet reviewed – 50 years ago in The Stage

Grade II-listed Salford theatre up for auction as restoration campaign under way

Brian Croft

Dianne Kelly