Richard Jordan: 10 theatrical things to give thanks for in 2019

Alex Lacamoire

Big Interviews by Former MemberMusic Director

Dear Evan Hansen at Noel Coward Theatre, London – review round-up

Top 5 theatre shows to see this week (November 18-24)

Women are people, not plot devices – why do I still have to say this in 2024?

What do Su Pollard, Wayne Sleep and Robert Lindsay have in common?

The Stage Debut Awards underline the importance of supporting artists

Don’t talk down this exceptional generation of young actors

The importance of being dangerous: what should and shouldn’t be aired on stage

Not everything is equal when it comes to international festivals

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Theatre will be judged not just on what it speaks out about, but on when it remains silent

Star names can make ‘difficult’ plays like Waiting for Godot easier to sell – that’s no bad thing

Will changing audience demographics mean shows like Hello, Dolly! and Fiddler are not revived in future?

Original musicals such as Six and Why Am I So Single? remain a hard sell in the West End

Is the subsidised sector to West End transfer in danger of becoming a rarity?

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Richard Jordan

Richard Jordan is an award-winning UK and international theatre producer. He has been a regular contributor to The Stage since 2005. Read Richard's latest column for The Stage every Thursday.

More from this author

What do Su Pollard, Wayne Sleep and Robert Lindsay have in common?

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Opinion

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Women are people, not plot devices – why do I still have to say this in 2024?

What do Su Pollard, Wayne Sleep and Robert Lindsay have in common?

The Stage Debut Awards underline the importance of supporting artists

Don’t talk down this exceptional generation of young actors

The importance of being dangerous: what should and shouldn’t be aired on stage

Not everything is equal when it comes to international festivals

The importance of being dangerous: what should and shouldn’t be aired on stage

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Solo shows are often bolder, brainier and break more ground than stage extravaganzas

A single play has the power to alter your world view. This one did it for me

Theatre will be judged not just on what it speaks out about, but on when it remains silent

Don’t talk down this exceptional generation of young actors

Advice

The Stage/Razzamataz Theatre Schools scholarship winners 2024

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Women are people, not plot devices – why do I still have to say this in 2024?

The depiction of Marilyn Monroe in David Edgar’s Here in America leaves a lot to be desired in an otherwise thought-provoking play, say Kate Maltby

Pearl Mackie: Theatre must move quicker to address diversity

Pearl Mackie has spoken out about representation in theatre, urging the sector to move a “bit quicker” to tackle inequalities

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Critic Fiona Mountford: It’s a thrill to go into a show knowing nothing

“I get to work with people like Lin-Manuel Miranda who just ...”

Alex Lacamoire

Big Interviews by Former MemberMusic Director

Dear Evan Hansen at Noel Coward Theatre, London – review round-up

Top 5 theatre shows to see this week (November 18-24)

Opinion by Richard Jordan

More about this person

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The Stage/Razzamataz Theatre Schools scholarship winners 2024

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Critic Fiona Mountford: It’s a thrill to go into a show knowing nothing

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Alex Lacamoire

Big Interviews by Former MemberMusic Director

Dear Evan Hansen at Noel Coward Theatre, London – review round-up

Top 5 theatre shows to see this week (November 18-24)