The Stage Editor's View: Qdos sale cements private equity's grip on commercial theatre outside London

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What can theatre learn from the campaign for grassroots music venues?

Budget was a crushing disappointment for theatre sector

Big ideas are required to tackle the freelance crisis

Producer Jamie Wilson reveals plan to run a regional theatre

Newsby Matt Hemley

What can theatre learn from the campaign for grassroots music venues?

Opinion by Alistair Smith

National Theatre cuts tours to primary schools in ‘deeply damaging’ move

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'Best voice in the business': Tributes paid to 'titan' Timothy West

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'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Patching over problems is no longer enough. Theatre needs radical change

Finding new audiences for opera? It may well require new types of opera

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

It is down to critics, as much as the industry, to support risk-taking theatre

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Patching over problems is no longer enough. Theatre needs radical change

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Producer Jamie Wilson reveals plan to run a regional theatre

Newsby Matt Hemley

What can theatre learn from the campaign for grassroots music venues?

Opinion by Alistair Smith

National Theatre cuts tours to primary schools in ‘deeply damaging’ move

News by Katie Chambers

'Best voice in the business': Tributes paid to 'titan' Timothy West

News by Katie Chambers

Alistair Smith is editor of The Stage. He is also the author of two major industry reports (the London Theatre Report and the Theatre Workforce Review) and is the chair of theatre careers charity Get Into Theatre.

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Timothy West

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Qdos sale cements private equity's grip on commercial theatre outside London

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