What it would take for me to return to Edinburgh Fringe next year

Theatre company Relish pivots to 'season model' in bid for financial security

Long Reads by Holly Williams

‘Cut the story down to its bare bones, then pump it full of jokes’: how to write a hit pantomime

$Anti-racism plan for theatre updated to address 'fractured' society$

Anti-racism plan for theatre updated to address 'fractured' society

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

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Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'

Theatre company Relish pivots to 'season model' in bid for financial security

$Anti-racism plan for theatre updated to address 'fractured' society$

Anti-racism plan for theatre updated to address 'fractured' society

Indhu Rubasingham: I was told to start an Asian theatre company to find success

Ellie Keel

Producer

Ellie Keel is a theatre producer and founder director of the Women’s Prize for Playwriting

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Opinion

Latest
Most Read

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

US shows are resonating very differently after Trump’s election win

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

'Musicals don't get written, they get rewritten' – is the old adage still true today?

Call me Scrooge, but this over-told tale is so rarely done well

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Deputy Technical Manager (So...

‘Elephant trap’: peers warn of impact autumn Budget will have on the arts

Members of the House of Lords have expressed ‘profound concern’ about the UK’s arts sector following chancellor Rachel Reeves’ autumn Budget

‘Elephant trap’: peers warn of impact autumn Budget will have on the arts

Members of the House of Lords have expressed ‘profound concern’ about the UK’s arts sector following chancellor Rachel Reeves’ autumn Budget

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Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'

Theatre company Relish pivots to 'season model' in bid for financial security

Long Reads by Holly Williams

‘Cut the story down to its bare bones, then pump it full of jokes’: how to write a hit pantomime

$Anti-racism plan for theatre updated to address 'fractured' society$

Anti-racism plan for theatre updated to address 'fractured' society

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'

Theatre company Relish pivots to 'season model' in bid for financial security

Long Reads by Holly Williams

‘Cut the story down to its bare bones, then pump it full of jokes’: how to write a hit pantomime

$Anti-racism plan for theatre updated to address 'fractured' society$

Anti-racism plan for theatre updated to address 'fractured' society