Howard Sherman: One-upmanship or an act of preservation? Why it's important to correct the record

SUBSCRIBE

US shows are resonating very differently after Trump’s election win

Finding new audiences for opera? It may well require new types of opera

Will the US election results mean a fight for the integrity of our theatres?

US shows are resonating very differently after Trump’s election win

Opinion by Howard Sherman

Maybe Happy Ending review

Reviews by Nicole SerratoreBelasco Theatre, New York

A Wonderful World: The Louis Armstrong Musical review

Reviews by Lane WilliamsonStudio 54, New York

Finding new audiences for opera? It may well require new types of opera

Opinion by Howard Sherman

US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Patching over problems is no longer enough. Theatre needs radical change

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

It is down to critics, as much as the industry, to support risk-taking theatre

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Call me Scrooge, but this over-told tale is so rarely done well

Recommended for you

US shows are resonating very differently after Trump’s election win

Opinion by Howard Sherman

Finding new audiences for opera? It may well require new types of opera

Opinion by Howard Sherman

The Curious Case of Benjamin Button at the Ambassadors Theatre – review round-up

Review Round-Ups by Fergus Morgan

Great Gatsby Broadway musical to arrive in West End in 2025

Production News by Katie Chambers

Howard Sherman is a New York based arts administrator, writer and advocate. He is director of the Baruch Performing Arts Center, founder of the Arts Integrity Initiative and author of Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century. Howard has been The Stage’s US columnist since 2012. Read his latest column every other Friday.

More from this author

US shows are resonating very differently after Trump’s election win

Finding new audiences for opera? It may well require new types of opera

Will the US election results mean a fight for the integrity of our theatres?

Opinion

Latest
Most Read

US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Patching over problems is no longer enough. Theatre needs radical change

Call me Scrooge, but this over-told tale is so rarely done well

Patching over problems is no longer enough. Theatre needs radical change

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Everyone is welcome at the theatre, unless...

'Musicals don't get written, they get rewritten' – is the old adage still true today?

Finding new audiences for opera? It may well require new types of opera

Advice

Sofia Jones: 'You can always learn from those around you'

by John Byrne

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

by John Byrne

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

by John Byrne

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

by John Byrne

Royal Ballet: Maddaddam review

Wayne McMcGregor’s take on Margaret Atwood’s dystopian trilogy makes a confusing, yet ravishing evening

Tinuke Craig named associate artistic director at Open Air Theatre

Craig joins artistic director Drew McOnie with immediate effect as part of a ‘newly structured’ senior leadership team at Regent’s Park Open Air Theatre

Jobs

Theatre Technician

City: Winchester Salary: £23,409 - £...

One-upmanship or an act of preservation? Why it's important to correct the record

Support The Stage by registering or subscribing

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital