Now is the time for anger, but where is the rage on stage?

Beverley Knight to star in UK premiere of Marie and Rosetta

My favourite play: Ronke Adekoluejo

My top international theatre to catch around the UK this year

Ignore the doomsayers – the West End is on the up

Two new Broadway comedies warn of the limitations of language

It’s time more backstage practitioners got their moment in the spotlight

Light entertainment used to be a thriving career pathway for artists – it deserves to be again

Making theatre with young people is so much more than child’s play

Bad musical theatre shows at EdFringe risk damaging the art form

Bristol Old Vic Theatre School course closures signal wider crisis in drama training

Everyone is welcome at the theatre, unless...

Ignore the doomsayers – the West End is on the up

In praise of so-called ‘supporting actors’

Predatory autograph hunters outside theatres pose a dangerous risk

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Natasha Tripney

International Editor

Natasha is international editor for The Stage. She co-founded Exeunt magazine and regularly writes for the Guardian and the BBC.

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Opinion

Latest
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My top international theatre to catch around the UK this year

Ignore the doomsayers – the West End is on the up

Two new Broadway comedies warn of the limitations of language

It’s time more backstage practitioners got their moment in the spotlight

Light entertainment used to be a thriving career pathway for artists – it deserves to be again

Making theatre with young people is so much more than child’s play

Ignore the doomsayers – the West End is on the up

Two new Broadway comedies warn of the limitations of language

My top international theatre to catch around the UK this year

Bristol Old Vic Theatre School course closures signal wider crisis in drama training

Light entertainment used to be a thriving career pathway for artists – it deserves to be again

In praise of so-called ‘supporting actors’

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Vital Xposure artistic director to leave after a year for freelance roles

Stephen Bailey is to depart Vital Xposure after just over a year as artistic director

Vital Xposure artistic director to leave after a year for freelance roles

Stephen Bailey is to depart Vital Xposure after just over a year as artistic director

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Castings

Dundee Paid

DAVEY in EWAN MACCOLL: MANCH...

Dundee Paid

Female souls singer dancer e...

Based in Ilkeston Derbyshire DE7 Paid

Male soul singer entertainer...

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The Happy Prince in The Happ...

London & Watford Paid

The Swallow in The Happy Prince

London & Watford Paid

Narrator in The Happy Prince

London & Watford Paid

Co-Host (Leads on music) in ...

UK Wide. Preferred base in Midlands Paid

Host (Leads on presenting) i...

UK Wide. Preferred base in Midlands Paid

Mardi Gras Performer in Alto...

Alton Stoke-on-Trent, Staffordshire Paid

Fairy Godmother/ Prince Char...

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Lighting Technician in Frien...

Heaton Park, Manchester Paid

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10 Nights review

Reviews by Tom WickerRiverside Studios, London

New Simon Stephens play to feature in Finborough spring season

Beverley Knight to star in UK premiere of Marie and Rosetta

My favourite play: Ronke Adekoluejo

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

“Refreshingly unmelodramatic”

Recommended for you

10 Nights review

Reviews by Tom WickerRiverside Studios, London

New Simon Stephens play to feature in Finborough spring season

Beverley Knight to star in UK premiere of Marie and Rosetta

My favourite play: Ronke Adekoluejo