Mark Shenton: Theatre Brits invading Broadway find a different work culture

Finding new audiences for opera? It may well require new types of opera

Left on Tenth review

Reviews by Nicole SerratoreJames Earl Jones Theatre, New York

What we can learn from 40 years of New York theatre history

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Call me Scrooge, but this over-told tale is so rarely done well

Recommended for you

US shows are resonating very differently after Trump’s election win

Finding new audiences for opera? It may well require new types of opera

What we can learn from 40 years of New York theatre history

A single play has the power to alter your world view. This one did it for me

Mark Shenton

Mark Shenton is a theatre critic. He was a regular columnist and associate editor of The Stage until 2019.

More from this author

Singer Renée Fleming: ‘Music is a form of social cohesion – a way of holding us together’

Mark Shenton: I bid you so long, farewell, auf wiedersehen, goodbye

Mark Shenton: Artistic directors can take their audiences on a journey of discovery

Opinion

Latest
Most Read

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Deputy Technical Manager (So...

Brian Croft

Production manager and lighting designer who was a founding member of the National Youth Theatre and ESP Lighting, and worked with the Rolling Stones

Birmingham Rep names Joe Murphy new artistic director

Birmingham Rep has appointed Sherman Theatre’s Joe Murphy as its new artistic director

Jobs

City: London Salary: £33,144 - £...

Technical Instructor (Stage ...

City: London Salary: £29,758 - £...

Summer Theatre Jobs in America

City: New York Salary: SALARY + FR...

Deputy Head of Electrics

City: London Salary: SOLT/BECTU ...

Theatre Technician

City: Winchester Salary: £23,409 - £...

Potters Theatre Company - Le...

City: Hopton Salary: Competitive

Technical Manager 1.0 FTE

City: London Salary: £38,071 - £...

Redcoat Auditions

City: Various Salary: Competitive

Marketing Manager

City: Blackpool Salary: £30,000 per...

Head of Stage

City: London Salary: SOLT/BECTU ...

Head of Musical Theatre (Lea...

City: Dubai Salary: 20,000 AED ...

Sound No 1

City: London Salary: Salary base...

Entertainer at Five Lakes

City: Maldon, Essex Salary: Competitive

Costume Cutter

City: Leeds Salary: £25,685 per...

Technical Director

City: Chichester Salary: £60-£70,000...

MIKE in EWAN MACCOLL: MANCHE...

Castings

Dundee Paid

DAVEY in EWAN MACCOLL: MANCH...

Dundee Paid

Female souls singer dancer e...

Based in Ilkeston Derbyshire DE7 Paid

Male soul singer entertainer...

Based in Ilkeston Derbyshire DE7 touring UK Paid

The Happy Prince in The Happ...

London & Watford Paid

The Swallow in The Happy Prince

London & Watford Paid

Narrator in The Happy Prince

London & Watford Paid

Co-Host (Leads on music) in ...

UK Wide. Preferred base in Midlands Paid

Host (Leads on presenting) i...

UK Wide. Preferred base in Midlands Paid

Mardi Gras Performer in Alto...

Alton Stoke-on-Trent, Staffordshire Paid

Fairy Godmother/ Prince Char...

Exeter and Touring Paid

Lighting Technician in Frien...

Heaton Park, Manchester Paid

Video Content Presenter in P...

London Paid

Stage Manager in Friendsfest...

Heaton Park, Manchester Paid

Camera Operator in Friendsfe...

Heaton Park, Manchester Paid

US shows are resonating very differently after Trump’s election win

Finding new audiences for opera? It may well require new types of opera

“Dramatically dull”

Left on Tenth review

Reviews by Nicole SerratoreJames Earl Jones Theatre, New York

What we can learn from 40 years of New York theatre history

More about this person

Mark Shenton: I’ve watched the amazing theatrical journey of Sally Ann Triplett unfolding for 30 years

Mark Shenton’s New York theatre picks: December 19

You can’t move for Brits on Broadway at the moment

Living up to a legend - celebrating Judy Garland on stage

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

US shows are resonating very differently after Trump’s election win

Finding new audiences for opera? It may well require new types of opera

“Dramatically dull”

Left on Tenth review

Reviews by Nicole SerratoreJames Earl Jones Theatre, New York

What we can learn from 40 years of New York theatre history