Star names can make ‘difficult’ plays like Waiting for Godot easier to sell – that’s no bad thing

Frantic Assembly unveils 30th anniversary season as it renews fundraising efforts

Alternates make roles their own – and should be saluted for it

Ian Charleson’s Hamlet reviewed – 50 years ago in The Stage

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

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Roald Dahl drama starring John Lithgow to transfer to West End

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Alternates make roles their own – and should be saluted for it

Ian Charleson’s Hamlet reviewed – 50 years ago in The Stage

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Patching over problems is no longer enough. Theatre needs radical change

Funded venues are struggling. It’s why fringe theatre is so important

Opinion

Latest
Most Read

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

US shows are resonating very differently after Trump’s election win

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

'Musicals don't get written, they get rewritten' – is the old adage still true today?

Call me Scrooge, but this over-told tale is so rarely done well

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Deputy Technical Manager (So...

‘Elephant trap’: peers warn of impact autumn Budget will have on the arts

Members of the House of Lords have expressed ‘profound concern’ about the UK’s arts sector following chancellor Rachel Reeves’ autumn Budget

‘Elephant trap’: peers warn of impact autumn Budget will have on the arts

Members of the House of Lords have expressed ‘profound concern’ about the UK’s arts sector following chancellor Rachel Reeves’ autumn Budget

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Roald Dahl drama starring John Lithgow to transfer to West End

Frantic Assembly unveils 30th anniversary season as it renews fundraising efforts

Alternates make roles their own – and should be saluted for it

Ian Charleson’s Hamlet reviewed – 50 years ago in The Stage

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

Roald Dahl drama starring John Lithgow to transfer to West End

Frantic Assembly unveils 30th anniversary season as it renews fundraising efforts

Alternates make roles their own – and should be saluted for it

Ian Charleson’s Hamlet reviewed – 50 years ago in The Stage