Lyn Gardner: Madani Younis’ swift departure raises serious concerns about Southbank Centre

‘Elephant trap’: peers warn of impact autumn Budget will have on the arts

Ex-EastEnders star opens new-writing theatre in London's East End

Theatre company Relish pivots to 'season model' in bid for financial security

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

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Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

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Theatre company Relish pivots to 'season model' in bid for financial security

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Patching over problems is no longer enough. Theatre needs radical change

Funded venues are struggling. It’s why fringe theatre is so important

Opinion

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Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

We make putting on panto look easy – oh no it isn’t

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

The NT’s Coriolanus was diversity at its best – yet others are still stuck in the past

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

We make putting on panto look easy – oh no it isn’t

Call me Scrooge, but this over-told tale is so rarely done well

If the National Theatre can’t afford primary schools tours, who can?

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

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Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Deputy Technical Manager (So...

Thursford Christmas Spectacular review

Kitsch, traditional, high-budget show delivers on scale, Christmas camp and high-quality musical performances

‘Elephant trap’: peers warn of impact autumn Budget will have on the arts

Members of the House of Lords have expressed ‘profound concern’ about the UK’s arts sector following chancellor Rachel Reeves’ autumn Budget

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Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

‘Elephant trap’: peers warn of impact autumn Budget will have on the arts

Ex-EastEnders star opens new-writing theatre in London's East End

Theatre company Relish pivots to 'season model' in bid for financial security

Opinion by Alistair Smith

More about this person

Madani Younis to join the Shed in New York

News by Nick Clark

National Theatre ‘Royal’ name debate and in praise of Madani Younis – your views, November 28

Your views by The Stage

Editor's View: Is it time for a revolution in drama training?

Madani Younis to leave Southbank Centre after less than a year

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Creative Europe gives €1.4 million to 50/50 gender initiative

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Artists announced by London International Mime Festival

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A Playlist for the Revolution review

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Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

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Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

‘Elephant trap’: peers warn of impact autumn Budget will have on the arts

Ex-EastEnders star opens new-writing theatre in London's East End

Theatre company Relish pivots to 'season model' in bid for financial security