Lyn Gardner: Despite its flaws, Let’s Create is a useful signpost on the path to excellence

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Lyn Gardner’s reasons to be cheerful

Could a new online community kick-start a revival for theatre debate?

Regional theatres are evolving with – and for – their communities

Politicians call on culture, media and sport workers to share their challenges

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Young Vic reports 'stabilising' financial year as it takes control of costs

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Show reports 2024: the year’s funniest onstage (and offstage) mishaps

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Mark Rylance backs launch of new dance venue in Bristol

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Richard Jordan’s Big Christmas Theatre Quiz 2024

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Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Lyn Gardner’s reasons to be cheerful

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Did Tammy Faye lose its sense of proportion on the way to Broadway?

Blue Man Group is closing in NYC after 33 years. I finally went to see it

NDAs are overused. What can theatre do about it?

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

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Four nations, 20 shows: what did I learn about the state of UK theatre today?

After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today

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Let’s Create has flaws, but it holds great value on theatre’s path to excellence

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