Labour has won the election. Now theatre needs to see some action

Rae Smith: We're free from the Tories – but Labour is tough too

Scottish culture groups in limbo as multi-year funding result delayed by months

The Stage Debut Awards underline the importance of supporting artists

If all plays are about the human condition, what makes some into classics?

Women are people, not plot devices – why do I still have to say this in 2024?

What do Su Pollard, Wayne Sleep and Robert Lindsay have in common?

The Stage Debut Awards underline the importance of supporting artists

Don’t talk down this exceptional generation of young actors

The importance of being dangerous: what should and shouldn’t be aired on stage

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Theatre will be judged not just on what it speaks out about, but on when it remains silent

Star names can make ‘difficult’ plays like Waiting for Godot easier to sell – that’s no bad thing

Will changing audience demographics mean shows like Hello, Dolly! and Fiddler are not revived in future?

Is the subsidised sector to West End transfer in danger of becoming a rarity?

The Shock of the Old: Can today’s audiences handle 1950s plays?

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Musselburgh’s Brunton Theatre warns of ‘uncertain’ future

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Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

Solo shows are often bolder, brainier and break more ground than stage extravaganzas

Theatre will be judged not just on what it speaks out about, but on when it remains silent

Star names can make ‘difficult’ plays like Waiting for Godot easier to sell – that’s no bad thing

Opinion

Latest
Most Read

If all plays are about the human condition, what makes some into classics?

Women are people, not plot devices – why do I still have to say this in 2024?

What do Su Pollard, Wayne Sleep and Robert Lindsay have in common?

The Stage Debut Awards underline the importance of supporting artists

Don’t talk down this exceptional generation of young actors

The importance of being dangerous: what should and shouldn’t be aired on stage

Solo shows are often bolder, brainier and break more ground than stage extravaganzas

Women are people, not plot devices – why do I still have to say this in 2024?

Don’t talk down this exceptional generation of young actors

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

What do Su Pollard, Wayne Sleep and Robert Lindsay have in common?

Advice

The Stage/Razzamataz Theatre Schools scholarship winners 2024

Kelley Costigan: 'If I were to start again, I would be braver in networking with other actors'

Lucie Lutte: 'Getting feedback from peers helps with growing a tough skin for criticism'

Italia Conti 2024 Scholarship Winner

Girls Don’t Play Guitars review

With direction and composition from Bob Eaton, this is an entertaining, if superficial, celebration of overlooked heroines of British music

Musselburgh’s Brunton Theatre warns of ‘uncertain’ future

The theatre says it faces a ‘very difficult financial situation’ and ‘urgently’ needs support to continue operating

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Musselburgh’s Brunton Theatre warns of ‘uncertain’ future

Rae Smith: We're free from the Tories – but Labour is tough too

Scottish culture groups in limbo as multi-year funding result delayed by months

The Stage Debut Awards underline the importance of supporting artists

Advice

The Stage/Razzamataz Theatre Schools scholarship winners 2024

Kelley Costigan: 'If I were to start again, I would be braver in networking with other actors'

Lucie Lutte: 'Getting feedback from peers helps with growing a tough skin for criticism'

Italia Conti 2024 Scholarship Winner

Recommended for you

Musselburgh’s Brunton Theatre warns of ‘uncertain’ future

Rae Smith: We're free from the Tories – but Labour is tough too

Scottish culture groups in limbo as multi-year funding result delayed by months

The Stage Debut Awards underline the importance of supporting artists