Jenny Sealey: Access is a key part of the artistic endeavour

Graeae unveils festival to celebrate work of deaf and disabled artists

The Stage Awards 2025 shortlist: Community Award

Access scheme All In begins pilot project in Leeds

How long should a play be? Probably not 45 minutes

The Stage Awards: Shining a spotlight on every corner of UK theatre

The BBC is wrong to axe drama on Radio 3 – here’s why it matters

Summerhall saga exposes the fragility of the Edinburgh Fringe model – how can it be made stronger?

Is commercial Off-Broadway on the rise again? And will that mean for not-for-profit companies?

Recruiting more artists to boards is beneficial for everyone involved

Ignore the doomsayers – the West End is on the up

Bad musical theatre shows at EdFringe risk damaging the art form

Bristol Old Vic Theatre School course closures signal wider crisis in drama training

What could theatre learn from British Airways' controversial changes to its loyalty programme?

Everyone is welcome at the theatre, unless...

There is an appetite for new plays – that’s why we grew an audience for them

Recommended for you

Vital Xposure artistic director to leave after a year for freelance roles

Graeae unveils festival to celebrate work of deaf and disabled artists

The Stage Awards 2025 shortlist: Community Award

Access scheme All In begins pilot project in Leeds

Jenny Sealey

Jenny Sealey is the artistic director of Graeae, an inclusive company committed to accessible theatre

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Opinion

Latest
Most Read

How long should a play be? Probably not 45 minutes

The Stage Awards: Shining a spotlight on every corner of UK theatre

The BBC is wrong to axe drama on Radio 3 – here’s why it matters

Summerhall saga exposes the fragility of the Edinburgh Fringe model – how can it be made stronger?

Is commercial Off-Broadway on the rise again? And will that mean for not-for-profit companies?

Recruiting more artists to boards is beneficial for everyone involved

What could theatre learn from British Airways' controversial changes to its loyalty programme?

Summerhall saga exposes the fragility of the Edinburgh Fringe model – how can it be made stronger?

Is commercial Off-Broadway on the rise again? And will that mean for not-for-profit companies?

The BBC is wrong to axe drama on Radio 3 – here’s why it matters

Ignore the doomsayers – the West End is on the up

There is an appetite for new plays – that’s why we grew an audience for them

Advice

Kate Perry: 'I felt no pressure because I had no intention of becoming an actor'

Stephanie Morgan (Upsall): 'Learn to love yourself as much as your craft'

All In Actors 2024 scholarship winners

The Stage/Bridge Theatre Training Company scholarship winners 2024

Head of Scenic Automation (S...

How long should a play be? Probably not 45 minutes

The BBC’s plan to cut all drama from Radio 3 and confine it to 45-minute slots on Radio 4 shows little understanding of the art form, says David Benedict

The Glitch heralds inaugural festival-style season in spirit of defunct Vault

Waterloo-based venue the Glitch has announced its inaugural season in its newly refurbished performance space.

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Vital Xposure artistic director to leave after a year for freelance roles

Graeae unveils festival to celebrate work of deaf and disabled artists

The Stage Awards 2025 shortlist: Community Award

Access scheme All In begins pilot project in Leeds

Advice

Kate Perry: 'I felt no pressure because I had no intention of becoming an actor'

Stephanie Morgan (Upsall): 'Learn to love yourself as much as your craft'

All In Actors 2024 scholarship winners

The Stage/Bridge Theatre Training Company scholarship winners 2024

Recommended for you

Vital Xposure artistic director to leave after a year for freelance roles

Graeae unveils festival to celebrate work of deaf and disabled artists

The Stage Awards 2025 shortlist: Community Award

Access scheme All In begins pilot project in Leeds