It can be problematic, but get panto right and you have theatregoers for life
The cast of The Scouse Dick Whittington at the Royal Court Theatre, Liverpool, which is directed by Mark Chatterton. Photo: Jason Roberts
Pantomime season is one of the biggest money-making areas in theatre, and can often be a person’s first contact with the art form. In order to keep young people on side, we need to reinvent panto and bin old-fashioned ways
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or subscribe today and get unlimited access to thestage.co.uk.