David Benedict: Is it time to shed new light on awards models?

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I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

My favourite play: Elliot Levey

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Show reports 2024: the year’s funniest onstage (and offstage) mishaps

Features by Georgia Luckhurst

Puppet studio vandalism inflicts 'irreparable' damage

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Hotel guest book reveals historic details of Mayflower Theatre's past

News by Katie Chambers

Mary Poppins' stage premiere – 20 years ago in The Stage

Archive by The Stage

One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

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Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Lyn Gardner’s reasons to be cheerful

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Did Tammy Faye lose its sense of proportion on the way to Broadway?

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David Benedict has been a daily columnist and theatre editor on the Independent and arts editor of the Observer. He is chief London critic of Variety, a regular guest on the BBC, and is currently writing the authorised biography of Stephen Sondheim. Read David's columns for The Stage every Wednesday.

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I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

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One more reason to be cheerful this year

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Lyn Gardner’s reasons to be cheerful

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One more reason to be cheerful this year

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Four nations, 20 shows: what did I learn about the state of UK theatre today?

After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today

Summerhall: We are now in a position to pay artists from this summer's EdFringe

The Scottish arts centre has announced that it is ‘now in a position’ to pay out money owed to artists that performed at the venue during this year’s Edinburgh Festival Fringe

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Is it time to shed new light on awards models?

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