If emerging artists are to thrive now, theatre must ditch the rat race
Middle Child at 10: Cinderella (2017), All We Ever Wanted Was Everything (2017), Daniel Ward in The Canary and the Crow (2019). Photos: Sarah Beth/Richard Davenport
Middle Child artistic director and founding member Paul Smith says success was never guaranteed for the gig-theatre company when it started out a decade ago, and that industry support is needed for those in a similar situation today
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or subscribe today and get unlimited access to thestage.co.uk.