How pantos can create stars as well as cast them

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Singer Renée Fleming: ‘Music is a form of social cohesion – a way of holding us together’

Mark Shenton: I bid you so long, farewell, auf wiedersehen, goodbye

Mark Shenton: Artistic directors can take their audiences on a journey of discovery

Opinion

Latest
Most Read

Have we missed a golden generation of theatre critics?

Finally – a decent theatre trailer

A totally anonymous theatre critic is something that I would love to see

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Verbatim theatre has the power to free words from the restrictions of real life

This is the best theatre film of the year that you probably haven’t heard of

Does theatre’s artistic leadership model need to evolve?

It is down to critics, as much as the industry, to support risk-taking theatre

Beware trying to adapt a masterpiece for the stage

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Women are people, not plot devices – why do I still have to say this in 2024?

Will Jamie Lloyd's Sunset Boulevard ignite Broadway?

Mark Shenton

Mark Shenton is a theatre critic. He was a regular columnist and associate editor of The Stage until 2019.

More from this author

Singer Renée Fleming: ‘Music is a form of social cohesion – a way of holding us together’

Mark Shenton: I bid you so long, farewell, auf wiedersehen, goodbye

Mark Shenton: Artistic directors can take their audiences on a journey of discovery

Have we missed a golden generation of theatre critics?

Finally – a decent theatre trailer

A totally anonymous theatre critic is something that I would love to see

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Verbatim theatre has the power to free words from the restrictions of real life

This is the best theatre film of the year that you probably haven’t heard of

Is ACE finally addressing the chronic precarity of theatre's freelancers?

This is the best theatre film of the year that you probably haven’t heard of

Board departure shows Royal Exchange crisis is far from over

Scottish culture is on life support, but it can be revived

A totally anonymous theatre critic is something that I would love to see

Finally – a decent theatre trailer

Advice

Changing courses: how drama training is evolving to meet theatre industry demands

by John Byrne

Want a career in technical theatre? Here are tips on the route forwards

by Rob Halliday

How to Choose Your Drama School 2024

by The Stage

Quality assurance: how can you tell if a drama course is up to the grade?

by Giverny Masso

The Years secures West End transfer early next year

Eline Arbo is once again to direct her adaptation of Annie Ernaux’s The Years as it transfers from north London’s Almeida Theatre to the West End

No bailout for theatres in ‘difficult’ budget

Society of London Theatre and UK Theatre’s appeal to the government for an urgent pot of funding to stave off venue closures has been frustrated, with no additional funding for the arts allocated by chancellor Rachel Reeves in her autumn Budget

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