Filling out Edinburgh Fringe: will there be enough of an audience to go around?

Future of Theatre conference returns to @sohoplace for second year running

Daniel Evans: Some drama training is prioritising TV work over Shakespeare

The Next generation of artists needs access to opportunities – this week in Your Views

A visit to the past is a reminder that theatre's future depends on its grassroots

Government must heed Shaun Woodward's warning of drama school crisis

Drama training is in crisis. Government must take action now

Is this the year the National Theatre of Scotland turns its fortunes around?

Don’t just call for action to support the theatre sector – take it, now

Star casting doesn’t guarantee success. So what happens when it doesn’t work?

What could theatre learn from British Airways' controversial changes to its loyalty programme?

Star casting doesn’t guarantee success. So what happens when it doesn’t work?

Ignore the doomsayers – the West End is on the up

Bristol Old Vic Theatre School course closures signal wider crisis in drama training

Is this the year the National Theatre of Scotland turns its fortunes around?

Drama training is in crisis. Government must take action now

Recommended for you

Campaigners secure 50-year lease for Leith Theatre

Future of Theatre conference returns to @sohoplace for second year running

Daniel Evans: Some drama training is prioritising TV work over Shakespeare

The Next generation of artists needs access to opportunities – this week in Your Views

Lyn Gardner

Lyn Gardner is a theatre critic and associate editor of The Stage. Read her weekly column every Monday.

More from this author

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Ignore the doomsayers – the West End is on the up

Opinion

Latest
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A visit to the past is a reminder that theatre's future depends on its grassroots

Government must heed Shaun Woodward's warning of drama school crisis

Drama training is in crisis. Government must take action now

Is this the year the National Theatre of Scotland turns its fortunes around?

Don’t just call for action to support the theatre sector – take it, now

Star casting doesn’t guarantee success. So what happens when it doesn’t work?

Is this the year the National Theatre of Scotland turns its fortunes around?

Drama training is in crisis. Government must take action now

What could theatre learn from British Airways' controversial changes to its loyalty programme?

Mics aren't always magic in theatre, but they can amplify the power of storytelling

Government must heed Shaun Woodward's warning of drama school crisis

Advice

Emily LeQuesne: 'Without the arts, what are we for?'

Michael Ahomka-Lindsay: 'If you feel lost, you’re probably in the right place – on your own path'

Kate Perry: 'I felt no pressure because I had no intention of becoming an actor'

Stephanie Morgan (Upsall): 'Learn to love yourself as much as your craft'

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Dealer's Choice revival completes Tim Sheader's first Donmar season

Tim Sheader is to revive of Patrick Marber’s Dealer’s Choice as part of his inaugural season as artistic director of London’s Donmar Warehouse

‘Transformative’: Scotland’s arts sector reacts favourably to funding news

The sector is predominantly positive about Creative Scotland’s new Multi-Year Funding programme, which will distribute a record £200 million to 251 organisations

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Campaigners secure 50-year lease for Leith Theatre

Future of Theatre conference returns to @sohoplace for second year running

Daniel Evans: Some drama training is prioritising TV work over Shakespeare

The Next generation of artists needs access to opportunities – this week in Your Views

Advice

Emily LeQuesne: 'Without the arts, what are we for?'

Michael Ahomka-Lindsay: 'If you feel lost, you’re probably in the right place – on your own path'

Kate Perry: 'I felt no pressure because I had no intention of becoming an actor'

Stephanie Morgan (Upsall): 'Learn to love yourself as much as your craft'

Recommended for you

Campaigners secure 50-year lease for Leith Theatre

Future of Theatre conference returns to @sohoplace for second year running

Daniel Evans: Some drama training is prioritising TV work over Shakespeare

The Next generation of artists needs access to opportunities – this week in Your Views