Howard Sherman: Does Broadway’s April traffic jam benefit new shows?

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US shows are resonating very differently after Trump’s election win

Finding new audiences for opera? It may well require new types of opera

Will the US election results mean a fight for the integrity of our theatres?

US shows are resonating very differently after Trump’s election win

Opinion by Howard Sherman

Maybe Happy Ending review

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A Wonderful World: The Louis Armstrong Musical review

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Finding new audiences for opera? It may well require new types of opera

Opinion by Howard Sherman

US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

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Call me Scrooge, but this over-told tale is so rarely done well

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Howard Sherman is a New York based arts administrator, writer and advocate. He is director of the Baruch Performing Arts Center, founder of the Arts Integrity Initiative and author of Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century. Howard has been The Stage’s US columnist since 2012. Read his latest column every other Friday.

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US shows are resonating very differently after Trump’s election win

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US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

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Does Broadway’s April traffic jam benefit new shows?

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