Theo Bosanquet: Discovering my relative’s plays left me wanting more European theatre

SUBSCRIBE

How my great-grandmother's lost play is breaking new ground in Germany

'The storyline vibrates loudly': staging a bilingual Antony and Cleopatra with British Sign Language

Net zero by 2030? The Theatre Green Book’s ambitious second act

Reminiscing over the theatre we saw in our youth is more than just nostalgia

Opinion by Howard Sherman

ATG Entertainment to build ‘world-class’ theatre in Vienna

News by Georgia Luckhurst

The Stage Awards 2025 shortlist: International Award

Features by The Stage

Europe and beyond in 2024: international year in review

Features by Natasha Tripney

One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

Wicked is casting a spell over film audiences – what's the secret to its screen success?

Lyn Gardner’s reasons to be cheerful

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Did Tammy Faye lose its sense of proportion on the way to Broadway?

Recommended for you

Reminiscing over the theatre we saw in our youth is more than just nostalgia

Opinion by Howard Sherman

ATG Entertainment to build ‘world-class’ theatre in Vienna

News by Georgia Luckhurst

The Stage Awards 2025 shortlist: International Award

Features by The Stage

Europe and beyond in 2024: international year in review

Features by Natasha Tripney

Theo Bosanquet

Theo is a freelance writer and editor. Formerly editor of WhatsOnStage, he has written for a range of publications including the Guardian, Time Out, The Stage and Time magazine.

More from this author

How my great-grandmother's lost play is breaking new ground in Germany

'The storyline vibrates loudly': staging a bilingual Antony and Cleopatra with British Sign Language

Net zero by 2030? The Theatre Green Book’s ambitious second act

Opinion

Latest
Most Read

One more reason to be cheerful this year

Reminiscing over the theatre we saw in our youth is more than just nostalgia

There’s a theatre sinkhole in the north and the sector’s turning its back on it

Lyn Gardner’s reasons to be cheerful

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

Lyn Gardner’s reasons to be cheerful

There’s a theatre sinkhole in the north and the sector’s turning its back on it

I had mixed feelings about the NT’s Importance of Being Earnest. And that’s a good thing

One more reason to be cheerful this year

Blue Man Group is closing in NYC after 33 years. I finally went to see it

Celebrating Gavin Creel: a great artist and human being

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

by John Byrne

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

by John Byrne

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

by John Byrne

Four nations, 20 shows: what did I learn about the state of UK theatre today?

After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today

Summerhall: We are now in a position to pay artists from this summer's EdFringe

The Scottish arts centre has announced that it is ‘now in a position’ to pay out money owed to artists that performed at the venue during this year’s Edinburgh Festival Fringe

Jobs

Stage Management Team

Salary: Competitive

Discovering my relative’s plays left me wanting more European theatre

Support The Stage by registering or subscribing

More from this Author

More on this topic

Opinion

Recommended for you

More from this author

Opinion

Advice

More on this topic

Advice

Recommended for you

Most Read

Your subscription helps ensure our journalism can continue

Newspaper

More

Info

Awards

Legal

Digital