Howard Sherman: Bestseller Tom Lake may get thousands of readers to visit Our Town

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US shows are resonating very differently after Trump’s election win

Finding new audiences for opera? It may well require new types of opera

Will the US election results mean a fight for the integrity of our theatres?

US shows are resonating very differently after Trump’s election win

Opinion by Howard Sherman

Maybe Happy Ending review

Reviews by Nicole SerratoreBelasco Theatre, New York

A Wonderful World: The Louis Armstrong Musical review

Reviews by Lane WilliamsonStudio 54, New York

Finding new audiences for opera? It may well require new types of opera

Opinion by Howard Sherman

US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Patching over problems is no longer enough. Theatre needs radical change

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

It is down to critics, as much as the industry, to support risk-taking theatre

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Call me Scrooge, but this over-told tale is so rarely done well

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US shows are resonating very differently after Trump’s election win

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Howard Sherman is a New York based arts administrator, writer and advocate. He is director of the Baruch Performing Arts Center, founder of the Arts Integrity Initiative and author of Another Day’s Begun: Thornton Wilder’s Our Town in the 21st Century. Howard has been The Stage’s US columnist since 2012. Read his latest column every other Friday.

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US shows are resonating very differently after Trump’s election win

Finding new audiences for opera? It may well require new types of opera

Will the US election results mean a fight for the integrity of our theatres?

Opinion

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US shows are resonating very differently after Trump’s election win

'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Patching over problems is no longer enough. Theatre needs radical change

Call me Scrooge, but this over-told tale is so rarely done well

Patching over problems is no longer enough. Theatre needs radical change

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Everyone is welcome at the theatre, unless...

Finding new audiences for opera? It may well require new types of opera

'Musicals don't get written, they get rewritten' – is the old adage still true today?

Advice

Sofia Jones: 'You can always learn from those around you'

by John Byrne

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

by John Byrne

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

by John Byrne

Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

by John Byrne

The Red Shoes review

Vivid visuals and macabre humour animate this modern reworking of Hans Christian Andersen’s grisly fairytale

Tinuke Craig named associate artistic director at Open Air Theatre

Craig joins artistic director Drew McOnie with immediate effect as part of a ‘newly structured’ senior leadership team at Regent’s Park Open Air Theatre

Jobs

Theatre Technician

City: Winchester Salary: £23,409 - £...

Bestseller Tom Lake may inspire thousands of readers to visit Our Town

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