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Mark Shenton

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Mark Shenton

Mark Shenton is a theatre critic. He was a regular columnist and associate editor of The Stage until 2019.

More from this author

Singer Renée Fleming: ‘Music is a form of social cohesion – a way of holding us together’

Mark Shenton: I bid you so long, farewell, auf wiedersehen, goodbye

Mark Shenton: Artistic directors can take their audiences on a journey of discovery

Opinion

Latest
Most Read

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

Fallow years: could theatre learn something from Glastonbury?

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

If the National Theatre can’t afford primary schools tours, who can?

Alternates make roles their own – and should be saluted for it

We make putting on panto look easy – oh no it isn’t

Creative education is at a critical juncture. How can we play our part?

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

by John Byrne

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

by John Byrne

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

by John Byrne

Netia Jones joins Royal Opera in role to focus on commissioning and innovation

Jones has been appointed to the newly created position of associate director

Netia Jones joins Royal Opera in role to focus on commissioning and innovation

Jones has been appointed to the newly created position of associate director

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More about this person

21 reasons 2015 is set to be a bumper year for New York theatre

Opinion by Mark Shenton

$This year’s best original musical cost a fraction of the high-profile flops to produce$

This year’s best original musical cost a fraction of the high-profile flops to produce

Opinion by Mark Shenton

Coronavirus: Drew McOnie among teachers for free online dance timetable

News by Giverny Masso

Paul Taylor-Mills to lead new 200-seat theatre at Battersea Power Station site

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Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

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Sofia Jones: 'You can always learn from those around you'

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Wicked review

‘Slap in the face’: backlash against National's primary school tours cut

English National Opera unveils ‘electrifying’ plans for relocation to Manchester

Ex-EastEnders star opens new-writing theatre in London's East End

Top 10 UK pantomimes to see this Christmas

Birmingham Rep names Joe Murphy new artistic director

Tammy Faye to close after less than a month on Broadway

Here & Now review

Panto Special 2024

Death Becomes Her review

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Best London musicals of 2014

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