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To Kill a Mockingbird review

“Strong in duality, lacking in humanity”
Gwyneth Keyworth, Harry Redding and David Moorst in To Kill a Mockingbird at Gielgud Theatre, London. Photo: Marc Brenner
Gwyneth Keyworth, Harry Redding and David Moorst in To Kill a Mockingbird at Gielgud Theatre, London. Photo: Marc Brenner
Aaron Sorkin’s much-anticipated adaptation of Harper Lee’s Pulitzer Prize-winning novel has been shrouded in drama, but is carefully performed, reevaluates Atticus Finch’s role as a white saviour and puts the audience in the jury box

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