ao link

Behind us? How panto rebounded from 2020’s winter of no content

Julian Clary and Paul O’Grady in Goldilocks and the Three Bears, directed by Michael Harrison, at the London Palladium in 2019. Photo: Paul Coltas
Julian Clary and Paul O’Grady in Goldilocks and the Three Bears, directed by Michael Harrison, at the London Palladium in 2019. Photo: Paul Coltas
As theatres prepare for an important festive season, Fergus Morgan finds panto producers are well aware of the big changes that need to be made to the art form and that, despite a cautious confidence about the road ahead, the ghost of 2020 still lingers

Support The Stage by registering or subscribing

To continue reading this article you must be logged in.

Register or login below to unlock 3 free articles every month.

 

OR 

 

Or subscribe today and get unlimited access to thestage.co.uk.

Remember Login

Your subscription helps ensure our journalism can continue

Invest in The Stage today with a subscription starting at just £5.99

The Stage

© Copyright The Stage Media Company Limited 2024

Facebook
Instagram
Twitter
Linked In
Pinterest
YouTube
We use cookies so we can provide you with the best online experience. By continuing to browse this site you are agreeing to our use of cookies. Click on the banner to find out more.
Cookie Settings