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Kate Maltby

Kate Maltby

Biography

Kate Maltby is a widely published writer and critic. She is chair of the Critics Circle (drama section), Prospect magazine's theatre critic, and deputy chair of Index on Censorship, in addition to her work as a lead columnist for the i newspaper.

Recent Articles

A totally anonymous theatre critic is something that I would love to see

A totally anonymous theatre critic is something that I would love to see

In an age that positions all our critical practice in relation to our identity, could someone test the possibility of writing criticism without giving any clues to their sex, race or class, asks Kate Maltby
Women are people, not plot devices – why do I still have to say this in 2024?

Women are people, not plot devices – why do I still have to say this in 2024?

The depiction of Marilyn Monroe in David Edgar’s Here in America leaves a lot to be desired in an otherwise thought-provoking play, say Kate Maltby
Critics are not marketeers, but the lines are being blurred on social media

Critics are not marketeers, but the lines are being blurred on social media

Kate Maltby discusses the issue of receiving press tickets in return for ads and why that is damaging for the industry
Why are ‘radical’ theatremakers so quick to kowtow to King Charles?

Why are ‘radical’ theatremakers so quick to kowtow to King Charles?

King Charles clearly wants to help the arts, but organisations offered direct patronage by the royals face a genuine dilemma
The UK is internationally engaged – so why can’t it get surtitles right?

The UK is internationally engaged – so why can’t it get surtitles right?

Foreign-language shows are welcome, as is the rising awareness of deaf access needs, but surtitles need to be better incorporated into stage designs
Predatory autograph hunters outside theatres pose a dangerous risk

Predatory autograph hunters outside theatres pose a dangerous risk

Theatre’s security staff face an increasingly tough challenge to ensure safety, with often aggressive fans – or commercially minded autograph hunters – thronging outside stage door, says Kate Maltby
Is theatre excluding dissenting voices in its pursuit of inclusivity?

Is theatre excluding dissenting voices in its pursuit of inclusivity?

Kate Maltby argues that we need to look more closely at the underlying manifesto of shows such as Nye, which is based on an assumption of shared values. Does ‘inclusivity’ mean embracing diverse political opinions of audiences and theatremakers?
Blocking out the noise: there are ways to keep the theatre experience sacred

Blocking out the noise: there are ways to keep the theatre experience sacred

The Donmar’s Macbeth is a reminder to theatremakers to reconsider a post-lockdown audience’s shared experience
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