Actor Lucy Avison tells The Stage about her first job in panto in Scotland and the importance of accepting that an arts career is seldom linear
My first job was in December 2011, in Aladdin at the Byre Theatre in St Andrews. I played the Dragon (in full costume – I had no spatial awareness in it and almost walked right off the front of the stage before I got my bearings). I was also the Queen’s Executioner, starting a long tradition of me not playing women. I was in my second year of foundation training at Langside College in Glasgow and my tutor was directing it.
I had ended up in Glasgow in my 20s (I’m originally a Halifax lass) because, despite doing nothing but acting and singing my entire childhood, I panicked at the age of 18 and thought I needed to do a ‘proper degree’ to get a ‘proper job’, ending up on a work placement in Scotland at 21 and never really left. By 26, I hugely regretted my earlier decision and ended up beginning my acting training at Langside.
At the Aladdin audition, I decided to sing one of my favourite songs, You Can Always Count on Me from City of Angels. I remember saying something daft afterwards and then skipping out of the room because I had enjoyed the song so much and had belted really well, even though I was sure there wouldn’t be a part for me. How wrong I was.
I combatted my nerves by making sure I did lots of preparation to feel as grounded as I could – knowing my lines, a physical and vocal warm-up before every show and lots of lemon, ginger and spoonfuls of manuka honey.
The best advice I can give anyone entering the business is to understand that a career in the arts is not linear. You may have what you think is your ‘break’ and then not get another opportunity for years – this has absolutely nothing to do with your talent, it just means that there isn’t a you-shaped hole in something yet. So spend your time on becoming a healthy human being inside and out and treat your acting career as something you do and not who you are: it will help you compartmentalise the knock-backs and celebrate the wins. Go and be your best self... who just happens to be a performer.
Age 41
Training ArtsEd, London; Langside College, Glasgow (now part of Glasgow Clyde College)
Theatre includes Oliver Twist (European tour, TNT Theatre); Full Circle (Black Sheep); Romeo and Juliet (Butterfly Theatre); Puss in Boots (Fizzgig Theatre); Maman Le Mot (immersive, London Bridge) TV includes: Coronation Street Agent: Catherine at AC Actors
TV includes Coronation Street
Agent Catherine at AC Actors
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