After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today
From Imelda Staunton in Hello, Dolly! to Arts Council England’s new plans to incentivise touring, Lyn Gardner picks her theatre-sector highlights of 2024
The first half achieved exquisite comic balance, the second did not, but I’d rather see that than something merely obedient and proficient, says David Benedict
There’s a positive buzz around theatre in the north, but beneath the surface the region’s diversity of audience, and of global-majority creativity, is at risk of collapse
While theatres may be facing numerous challenges, attracting audiences does not appear to be one of them, says editor Alistair Smith, after visiting 20 theatres around the UK
Having played parts from Prospero to Stalin, Hamlet and now the poet AE Housman, Simon Russell Beale is convinced he has one of the best jobs in the world. Why? Every role offers a new area for intellectual investigation, he says
“We’ve had three new musicals in the West End this year – we’ve only just begun”
After 20 years at The Stage, and two decades after theatre’s funding taps were turned off, editor Alistair Smith embarked on a tour from the tip to the toe of the United Kingdom, taking in productions across the four nations and speaking to those behind them, to discover how this period has shaped the industry we see today
As we announce the nominations for The Stage Awards 2025 and celebrate another year of British theatre, some of last year’s winners speak to Katie Chambers about the highlights and challenges of the past 12 months
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