The Stage 100 2024: What does the NT’s success tell us about theatre today?

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London theatres to dim lights for Timothy West

News by Georgia Luckhurst

Elaine C Smith: ‘I opened the door and was confronted with several bare arses’

Features by Fergus Morgan

'Best voice in the business': Tributes paid to 'titan' Timothy West

News by Katie Chambers

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Training & Advice by John Byrne

Opinion

US shows are resonating very differently after Trump’s election win

by Howard Sherman

'Musicals don't get written, they get rewritten' – is the old adage still true today?

by Richard Jordan

What can theatre learn from the campaign for grassroots music venues?

by Alistair Smith

Call me Scrooge, but this over-told tale is so rarely done well

by David Benedict

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London theatres to dim lights for Timothy West

News by Georgia Luckhurst

Elaine C Smith: ‘I opened the door and was confronted with several bare arses’

Features by Fergus Morgan

'Best voice in the business': Tributes paid to 'titan' Timothy West

News by Katie Chambers

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Training & Advice by John Byrne

Elaine C Smith: ‘I opened the door and was confronted with several bare arses’

Matthew Bourne’s Swan Lake turns 30: the feather-ruffling ballet that went mainstream

Nick Smurthwaite on his standout encounters from 40 years of interviewing for The Stage

My favourite play: Indhu Rubasingham

Westway Music: the record label finding new ways to sell the stars of the West End

Oliver Ford Davies: ‘We started the wrong act and somehow had to get back to Act II’

My favourite play: Michael Grandage

My favourite play: Indhu Rubasingham

Oliver Ford Davies: ‘We started the wrong act and somehow had to get back to Act II’

Matthew Bourne’s Swan Lake turns 30: the feather-ruffling ballet that went mainstream

News feature: how to thrive in the immersive sector

News feature: Sensory Cinders is a West End first for inclusivity

Wayne McGregor: We can't rely on philanthropy to help rescue the arts

Choreographer Wayne McGregor has warned that philanthropy alone cannot rescue struggling theatres or adequately support underpaid dancers

Who has topped The Stage 100 2024? Last year, former culture secretary Nadine Dorries nabbed the spot, and before that, the list includes Ian McKellen, Vicky Featherstone and Sonia Friedman. But who got the top spot in 2024?

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My favourite play: Michael Grandage

Which productions most inspired, moved and delighted our leading theatremakers? An RSC touring production from 1978, featuring
Ian McKellen, is the pick of director Michael Grandage