Mark Rosenblatt on his Royal Court play exploring antisemitism, dangerous rhetoric and Roald Dahl
Mark Rosenblatt
Mark Rosenblatt is about to join an elite club of artists who have made their playwriting debut at London’s Royal Court – with a production touching on a highly sensitive topic for the venue, at a highly sensitive time in the world, writes Alexander Cohen
Support The Stage by registering or subscribing
To continue reading this article you must be logged in.
Register or login below to unlock 3 free articles every month.
OR
Or subscribe today and get unlimited access to thestage.co.uk.