Clubbed Thumb: The East Village theatre company giving writers a launchpad to Broadway

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Topics

What’s behind the trend of mini-musicals on Broadway?

Opinion by Howard Sherman

UK-based Georgian actors campaign for imprisoned artists in home country

News by Giverny Masso

Outsiders can teach the arts sector a thing or two – but take their advice with a pinch of salt

Opinion by Howard Sherman

Is Berlin being extinguished as a beacon for arts and culture?

Features by Natasha Tripney

Opinion

This is probably the most interesting new lighting product in years

by Rob Halliday

How can socially impactful art flourish amid risk-averse leadership?

by Lyn Gardner

What’s behind the trend of mini-musicals on Broadway?

by Howard Sherman

Fainting audiences are nothing new – but we shouldn’t see them as a bit of fun either

by Andrzej Lukowski

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What’s behind the trend of mini-musicals on Broadway?

Opinion by Howard Sherman

UK-based Georgian actors campaign for imprisoned artists in home country

News by Giverny Masso

Outsiders can teach the arts sector a thing or two – but take their advice with a pinch of salt

Opinion by Howard Sherman

Is Berlin being extinguished as a beacon for arts and culture?

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Casting for cruises: what do performers need to make it at sea?

David Shields: ‘Punch is the most challenging and most important thing I’ve ever done’

My favourite show: Paule Constable

Gwilym Lee: ‘I’m using Gareth Southgate’s teachings to prepare to play him in Dear England’

Smells like teen spirit: how is theatre catering for young adult audiences?

‘Everybody thinks Shakespeare is beautifully crafted, but so is GTA’: inside the video-game Hamlet

Olivier Awards 2025: full list of nominations

Who has topped The Stage 100 2024? Last year, former culture secretary Nadine Dorries nabbed the spot, and before that, the list includes Ian McKellen, Vicky Featherstone and Sonia Friedman. But who got the top spot in 2024?

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My favourite play: Daniel Evans

Which productions most inspired, moved and delighted our leading theatremakers? The RSC’s co-artistic director Daniel Evans chooses a Hamlet staging he saw as a teenager