Are musicals from the 20th century fit for the 21st?

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'Musicals don't get written, they get rewritten' – is the old adage still true today?

Opinion by Richard Jordan

Westway Music: the record label finding new ways to sell the stars of the West End

Features by Giverny Masso

Miss Saigon to return for new 2025 tour

Production News by Matthew Hemley

The Curious Case of Benjamin Button at the Ambassadors Theatre – review round-up

Review Round-Ups by Fergus Morgan

Opinion

'Musicals don't get written, they get rewritten' – is the old adage still true today?

by Richard Jordan

What can theatre learn from the campaign for grassroots music venues?

by Alistair Smith

Call me Scrooge, but this over-told tale is so rarely done well

by David Benedict

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

by Rob Halliday

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'Musicals don't get written, they get rewritten' – is the old adage still true today?

Opinion by Richard Jordan

Westway Music: the record label finding new ways to sell the stars of the West End

Features by Giverny Masso

Miss Saigon to return for new 2025 tour

Production News by Matthew Hemley

The Curious Case of Benjamin Button at the Ambassadors Theatre – review round-up

Review Round-Ups by Fergus Morgan

Matthew Bourne’s Swan Lake turns 30: the feather-ruffling ballet that went mainstream

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My favourite play: Indhu Rubasingham

Westway Music: the record label finding new ways to sell the stars of the West End

Oliver Ford Davies: ‘We started the wrong act and somehow had to get back to Act II’

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My favourite play: Michael Grandage

My favourite play: Indhu Rubasingham

Oliver Ford Davies: ‘We started the wrong act and somehow had to get back to Act II’

News feature: how to thrive in the immersive sector

Matthew Bourne’s Swan Lake turns 30: the feather-ruffling ballet that went mainstream

Joseph Millson: ‘I hated Shakespeare growing up, but I learned to love it’

National Theatre cuts tours to primary schools in ‘deeply damaging’ move

More than 50 industry figures have condemned the ’devastating’ 100% cut to the National’s primary school touring programme

Who has topped The Stage 100 2024? Last year, former culture secretary Nadine Dorries nabbed the spot, and before that, the list includes Ian McKellen, Vicky Featherstone and Sonia Friedman. But who got the top spot in 2024?

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My favourite play: Michael Grandage

Which productions most inspired, moved and delighted our leading theatremakers? An RSC touring production from 1978, featuring
Ian McKellen, is the pick of director Michael Grandage