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Nick Awde

Nick Awde

Biography

Nick Awde is general secretary of the new UK Centre of the International Theatre Institute

Recent Articles

Climate crisis | How global theatre is making sustainability a priority

Climate crisis | How global theatre is making sustainability a priority

Amid increasing warnings of a climate catastrophe, theatres around the world are playing their part in tackling the issue by implementing a range of environmentally friendly practices. Nick Awde gets a clearer picture of what green theatre looks like
Footsbarn Travelling Theatre at 50 – a tale of 'broken-down trucks, floods, near bankruptcy, missing actors and heart attacks'

Footsbarn Travelling Theatre at 50 – a tale of 'broken-down trucks, floods, near bankruptcy, missing actors and heart attacks'

The influential travelling theatre company celebrates its 50th birthday this year. As its original leaders step down, incoming artistic director Sadie Jemmett tells Nick Awde about stepping into their shoes post-Brexit and post-Covid
How did the 7 Fingers’ Passagers make it to the UK during the pandemic?

How did the 7 Fingers’ Passagers make it to the UK during the pandemic?

It has taken determination to bring Passagers, created by Canada’s the 7 Fingers, to the UK during the pandemic. The company’s artistic director and the executive director of Dance Consortium, which is touring the show, tell Nick Awde about the challenges
All the world’s a stage – how theatre keeps going in a global pandemic

All the world’s a stage – how theatre keeps going in a global pandemic

While venues remain closed in countries such as the UK until further notice, live performance continues in others where Covid is under control. Theatremakers from around the world explain how they are adapting to local restrictions and keeping creative whether their audiences can attend in person or online
How have other island nations’ arts sectors coped with Covid-19?

How have other island nations’ arts sectors coped with Covid-19?

Nick Awde discovers how the island nations of Taiwan, Singapore and New Zealand have managed the pandemic’s effect on their performing arts sectors
Running out of time – can this year’s panto season be saved?

Running out of time – can this year’s panto season be saved?

Earlier this month, Qdos Entertainment’s Michael Harrison gave the government a deadline of August 3 to save the festive season at theatres nationwide. Directors, producers and performers explain why pantomimes are crucial for their communities as well as their bank balance
Kultur club: How Germany has led the way in supporting the arts in lockdown

Kultur club: How Germany has led the way in supporting the arts in lockdown

Germany has been praised for its fast response to coronavirus, having pledged billions in aid to support the country’s cultural sector. But, as ITI Germany director Thomas Engel tells Nick Awde, there are still issues to address, including a lack of clarity on how the creative industries will reopen across the country’s 16 states and the need for a dedicated culture ministry
Renata Carvalho: 'We are in a sinking boat without a life-jacket'

Renata Carvalho: 'We are in a sinking boat without a life-jacket'

As Brazil’s death rate soars, activist Renata Carvalho tells Nick Awde about living under an oppressive government during a pandemic
Easing lockdown around the world: 'I do not believe we can go back. This is a time for change'

Easing lockdown around the world: 'I do not believe we can go back. This is a time for change'

Theatres around the world are starting to plan how and when they may be able to reopen their doors. But with different levels of lockdown and financial support between countries, there is no single solution. Nick Awde explores the progress of venues and creatives in Italy, Germany and South Korea
‘How can we empower theatremakers to stay in the north?’

‘How can we empower theatremakers to stay in the north?’

Liverpool-based theatremaker Luke Barnes tells Nick Awde about the recent Stories of the North open town hall, which encouraged northern artists to consider their identities and the changes they want to see
The Stage

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