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Russian visa row hits Royal Opera House – 40 years ago in The Stage

What does David Hare want from the National Theatre exactly? This week in Your Views

Quotes of the week September 18: Gemma Arterton, Tim Minchin, Lisa Dwan and more

Harry Brünjes to step down as ENO chair

News by Matthew Hemley

The Stage/Razzamataz Theatre Schools scholarship winners 2024

Training & Advice by Paul Vale

Barn Theatre appoints producer Liam McMullan as executive director

Appointments by Georgia Luckhurst

Alan Cumming appointed Pitlochry Festival Theatre artistic director

Appointments by Matthew Hemley

Will changing audience demographics mean shows like Hello, Dolly! and Fiddler are not revived in future?

Sharing box-office data publicly will improve creativity and diversity

Language is key to being truly Wilde

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Lax approach to cyber security is putting our technical systems at risk

Star names can make ‘difficult’ plays like Waiting for Godot easier to sell – that’s no bad thing

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Original musicals such as Six and Why Am I So Single? remain a hard sell in the West End

Bad musical theatre shows at EdFringe risk damaging the art form

Star names can make ‘difficult’ plays like Waiting for Godot easier to sell – that’s no bad thing

Great art matters – but not to the detriment of those making it happen

Is the subsidised sector to West End transfer in danger of becoming a rarity?

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Harry Brünjes to step down as ENO chair

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The Stage/Razzamataz Theatre Schools scholarship winners 2024

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Barn Theatre appoints producer Liam McMullan as executive director

Appointments by Georgia Luckhurst

Alan Cumming appointed Pitlochry Festival Theatre artistic director

Appointments by Matthew Hemley

Russian visa row hits Royal Opera House – 40 years ago in The Stage

What does David Hare want from the National Theatre exactly? This week in Your Views

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Will changing audience demographics mean shows like Hello, Dolly! and Fiddler are not revived in future?

Sharing box-office data publicly will improve creativity and diversity

Language is key to being truly Wilde

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Lax approach to cyber security is putting our technical systems at risk

Star names can make ‘difficult’ plays like Waiting for Godot easier to sell – that’s no bad thing

Four big questions the Royal Exchange cancellation raises for the UK theatre sector

Star names can make ‘difficult’ plays like Waiting for Godot easier to sell – that’s no bad thing

New York’s theatre leadership is undergoing many changes – but there’s a notable absence

Sharing box-office data publicly will improve creativity and diversity

Will changing audience demographics mean shows like Hello, Dolly! and Fiddler are not revived in future?

The vastly different fortunes of ATG and Welsh National Opera tell you all you need to know about the state of theatre today

Advice

The Stage/Razzamataz Theatre Schools scholarship winners 2024

by Paul Vale

Kelley Costigan: 'If I were to start again, I would be braver in networking with other actors'

by John Byrne

Lucie Lutte: 'Getting feedback from peers helps with growing a tough skin for criticism'

by John Byrne

Italia Conti 2024 Scholarship Winner

by Paul Vale

A day in the life of...a producing team: Polka Theatre

Kate Bradshaw, Abigayle Bartley and Helen Matravers, of London children’s venue Polka, take Lyn Gardner with them to work to offer an insight into the day-to-day task of being a producer, from overseeing budgets to averting crises, while also dealing with multiple projects – and talk about breaking down access barriers as the venue continues its mission to empower children through creativity

Think tank calls for 10% of school week to focus on the arts

The Fabian Society also says Labour should place culture at the heart of its plans to ’get Britain’s future back’, highlighting that creative industries contribute £126 billion to the economy

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The Stage Scholarships 2023: win free training at the Dang Academy

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