The Stage Scholarships 2023: Win free training at Fourth Monkey

Creative education is at a critical juncture. How can we play our part?

If the National Theatre can’t afford primary schools tours, who can?

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

The National Theatre’s cut to its school touring scheme is damaging to theatre – and children

Call me Scrooge, but this over-told tale is so rarely done well

Funded venues are struggling. It’s why fringe theatre is so important

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

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I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Opinionby Hadley Fraser

Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'

Creative education is at a critical juncture. How can we play our part?

If the National Theatre can’t afford primary schools tours, who can?

Paul Vale

Paul has been writing for The Stage since 1998 as a critic and feature writer. He is also part of The Stage's Edinburgh Fringe review team.

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I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Fallow years: could theatre learn something from Glastonbury?

Robots and AI are taking centre stage in New York right now – actually, theatre is where they originated

Creative education is at a critical juncture. How can we play our part?

Alternates make roles their own – and should be saluted for it

If the National Theatre can’t afford primary schools tours, who can?

Fallow years: could theatre learn something from Glastonbury?

Saudi Arabia and the UK have a growing relationship. The arts cannot ignore it

If the National Theatre can’t afford primary schools tours, who can?

Alternates make roles their own – and should be saluted for it

We make putting on panto look easy – oh no it isn’t

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Tender review

Shape-shifting thriller-romance from Before I Was a Bear creator Eleanor Tindall lacks stylistic and narrative focus

Netia Jones joins Royal Opera in role to focus on commissioning and innovation

Jones has been appointed to the newly created position of associate director

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I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Opinionby Hadley Fraser

Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'

Creative education is at a critical juncture. How can we play our part?

If the National Theatre can’t afford primary schools tours, who can?

Advice

The Stage/Bridge Theatre Training Company scholarship winners 2024

by Paul Vale

Sofia Jones: 'You can always learn from those around you'

Sadie Pearson: 'The more work you put on, the more opportunities come your way'

Alexa Morden: ‘I’d love to demolish the hierarchy of power that exists in the industry'

Recommended for you

I’m back where I began, but as a tutor not a student – it’s inspiring... and petrifying

Opinionby Hadley Fraser

Deafinitely launches scheme to help deaf theatremakers realise 'creative vision'

Creative education is at a critical juncture. How can we play our part?

If the National Theatre can’t afford primary schools tours, who can?