Drama schools special | Are online auditions here to stay?

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Actors' advice on making the right drama training choices

Training in digital theatre: ‘We’re creating a new storytelling medium’

Drama schools special | Are online auditions here to stay?

Almeida development scheme to support artists at ‘critical stages’ of careers

News by Matthew Hemley

National Theatre cuts tours to primary schools in ‘deeply damaging’ move

News by Katie Chambers

Sofia Jones: 'You can always learn from those around you'

Training & Advice by John Byrne

Arts jobs dominated by middle classes, report claims

News by Georgia Luckhurst

'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Patching over problems is no longer enough. Theatre needs radical change

Finding new audiences for opera? It may well require new types of opera

Everyone is welcome at the theatre, unless...

Finally – a decent theatre trailer

It is down to critics, as much as the industry, to support risk-taking theatre

Funded venues are struggling. It’s why fringe theatre is so important

Is ACE finally addressing the chronic precarity of theatre's freelancers?

Patching over problems is no longer enough. Theatre needs radical change

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Almeida development scheme to support artists at ‘critical stages’ of careers

News by Matthew Hemley

National Theatre cuts tours to primary schools in ‘deeply damaging’ move

News by Katie Chambers

Sofia Jones: 'You can always learn from those around you'

Training & Advice by John Byrne

Arts jobs dominated by middle classes, report claims

News by Georgia Luckhurst

Sarah trained at the Bristol Old Vic Theatre School. She is a professional actor, teaches English and drama, and is a freelance journalist and editor specialising in arts education. She is the editor of Drama & Theatre magazine, and also edits for Music Sales, Hal Leonard and Nick Hern Books.

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Actors' advice on making the right drama training choices

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'Musicals don't get written, they get rewritten' – is the old adage still true today?

What can theatre learn from the campaign for grassroots music venues?

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Patching over problems is no longer enough. Theatre needs radical change

Finding new audiences for opera? It may well require new types of opera

Patching over problems is no longer enough. Theatre needs radical change

Call me Scrooge, but this over-told tale is so rarely done well

Two stars of technical theatre have left us too soon, but they will keep on inspiring me

Everyone is welcome at the theatre, unless...

Finding new audiences for opera? It may well require new types of opera

Should you change agent? Or is it just the slow market? Here is my take

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Sofia Jones: 'You can always learn from those around you'

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Alex James-Hatton: 'There needs to be more support for actors, creatives and people who work behind the scenes'

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Timothy West

The acclaimed actor, who has died aged 90, was renowned for his versatility, taking on roles from King Lear to Private Godfrey in Dad’s Army

Tinuke Craig named associate artistic director at Open Air Theatre

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Drama schools special | Are online auditions here to stay?

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