Theo Bosanquet

The stage adaptation of the anime classic is the second Studio Ghibli stage project to land in London in as many years. The show’s British and Japanese producers reveal the pressures of adapting the beloved film of Spirited Away

Producer Chuchu Nwagu – who has been making a name for himself with a series of high-profile projects, including transferring the award-winning Red Pitch to the West End – discusses his ambitions

The Roald Dahl estate’s in-house theatre department, tasked with bringing the writer’s stories to life on stage for the audiences of today, explain how the stories are reinvented and what else is to come

The Jewish arts centre JW3 has delivered music, drama, comedy and community for a decade. Now, it is staging its first Jewish pantomime. The team members behind the landmark production have put their own spin on panto traditions and share why they hope the show will bring communities together

The new leaders of the pocket-sized powerhouse in the heart of Theatreland tell Theo Bosanquet about their first year and ambitions for 2024

The National Theatre’s local community project Public Acts has marked its fifth anniversary with a five-part, country-spanning Odyssey. As the production reaches the capital, its participants talk to Theo Bosanquet about its ideals and what the show means to them

Five recent graduates tell Theo Bosanquet how they have fared in their first year of professional work, and their advice for this year’s cohort

Caroline Rouse has come a long way from wanting to be Ozzy Osbourne’s ‘water-bucket man’. The former rigging manager at the Royal Albert Hall talks to The Stage about climbing the ladder to becoming associate director at theatre consultants Charcoalblue

Last year, Theo Bosanquet got to see the premiere of his great-grandmother, author Anna Gmeyner’s, lost play. It was fresh, experimental and European, he says, and the sort of work that we don’t see enough of on UK stages

John Macfarlane has designed work for theatre, ballet and opera, and worked with talent such as Peter Brook, Peter Wright and Liam Scarlett. He talks about what leads his designs, and the process of reworking The Nutcracker after 30 years